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Corso post laurea
A Cambridge ()
Corso post laurea
Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. Using the latest techniques, you'll work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating.
Discover the vital contribution that printmaking has made to the language of contemporary art practice, and how recent technological advances have broadened its definition.
Much of your time will be spent independently researching and undertaking your own practice-based projects. You’ll receive technical inductions for the use of both traditional and emerging processes (including relief printing and intaglio, screen print, lithography, photo-based and digital media) and be free to experiment with, and combine, them in your creative work.
Throughout the course you’ll have support from experienced print and fine art practitioners, and benefit from working in a supportive and critically informed art school. Our connection with the MA Printmaking course at Camberwell College of Art creates opportunities for exchange crits and gives you the chance to build networks with fellow artists. And you'll get a window onto the professional art world through our visiting lecturers, field trips and links to galleries.
Our series of workshops, tutorials, seminars, critiques, presentations and lectures, will allow you to develop research skills that you’ll use on this course and in your future career. In addition, you’ll gain experience of other areas of professional practice including curating and critical writing.
Our links with local printmaking and art organisations, such as Cambridge Original Printmakers, the Curwen Print Study Centre, Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in portfolio reviews, live projects and professional exhibitions.
Da tener presente
As well as preparing you for a successful career in creative practice, our course will equip you for many other roles. Our past students enjoy careers in further and higher education, professional print workshops, museum and gallery management, public arts projects, artist in residence schemes and fellowship opportunities, in the UK and overseas. Or you might decide to continue on to a research degree, like our PhD Fine Art.
You’ll have access to events such as Creative Front Futures, which will give you a taste of different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for our students and alumni. Fortnightly lectures run by our Fine Art Research Unit (FARU) will give you a chance to hear artists and staff talk about their work, and engage in debates about art practice. Our recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire. Visiting printmaking professionals have included Katherine Jones, Stephen Chambers, Sean Rorke, Rebecca Salter, Penny Brewill, Mike Taylor, Kate Palmer, Jo Love and Jane Dixon, Leo Brook and Amanda Couch.
Domande e risposte
Comunicaci i tuoi dubbi,altri utenti potranno risponderti
- Product design
- Digital imaging
- Digital media
- Critical thinking
- Design techniques
- Writing Skills
- Screen Design
- Photography Basics
- Lithography moulds
- Professional Art
- Process and Practice as ResearchYou will engage with the relationship between research and production. In particular you will explore the process of designing a research project for Art and Design students at Masters level. Lectures and seminars will introduce you to methodology, ethics and exemplars of research methods from a broad range of art and design disciplines.
- Printmaking: Research and ContextResearch and preparatory work resulting from this module will enable you to identify, define and test the direction of your research in preparation for your Masters Project. Critical and theoretical analysis of your studio research will be supported by a programme of seminars and tutorials. Textual analysis of your practice will be carried out through an extended essay.
- Acts and DiscoursesYou will develop a body of self-directed Fine Art research that reflects a clear awareness and engagement with curatorial issues. A seminar series within the module will introduce you to various areas in curatorial and exhibition practices on both a theoretical and practical level, with a strong emphasis on the contemporary scene in relation to developments that have taken place over the last three decades. Themes will include: 1) Exhibiting Practices, an introduction; 2) Frames; 3) Neutrality: the "white cube" and its legacy; 4) "Alternative" spaces; 5) Environmental approaches; and 6) The politics of cultural representation. You will record and reflect on your aims, methodologies and achievements through the Personal Development Plan (PDP), which will give you a transparent mechanism by which to map the progress of your individual research. You will critically and theoretically analyse your studio research, supported through supervisory tutorials, peer presentations and seminars.
- Master's Dissertation Art and DesignThis module forms the major written element of the MA programme. On it, you will be invited to choose a topic related to your area of study, as the basis for a research essay of up to 8,000 words. The essay should demonstrate an awareness of current critical debate in the subject, through appropriate reference to relevant examples both from visual practice and critical writing.
- Master's Project: Art and DesignThe Masters Project represents the culmination of your learning on the programme, and giving you the opportunity to develop and resolve a major area of enquiry. This is a self-directed visual project negotiated with the staff team and peers. You'll need to negotiate, manage, co-ordinate and bring to successful conclusion a complex, practice-based project within your field of art, media or design.
On our core modules you’ll demonstrate your progress through your visual research outcomes and supporting evaluative statements, except for the Master’s Dissertation, for which you’ll submit a 6,000-word contextual essay.
Teaching times: Tuesdays and Wednesdays from 10am-5pm (full-time); Wednesdays from 10am-5pm in Year 1, Tuesdays from 10am-5pm in Year 2 (part-time).
UK & EU students, 2016/17 (per year) £7,100
UK & EU students, 2016/17 (per year part time) £3,550
International students, 2016/17 (per year) £12,400
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